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For decades, womenswear on (and off) the court has been carefully policed. After Alize Cornet’s red briefs became visible during a match in 2013, rules were tightened the following year to ‘crack down’ on the so-called scandalous attire. In 2017, Venus Williams was made to change her underwear mid way through a game because her pink bra-straps were visible. In a post-match conference, she responded to questions about it with the withering disinterest it deserved: “I don’t want to talk about undergarments. It’s kind of awkward for me. I’ll leave that to you. You can talk about it with your friends. I’m going to pass.” It’s no coincidence that society’s simultaneous, paradoxical objectification of and discomfort with the female body is reflected in its squeamish response to athletes’ underwear in particular, but Wimbledon’s dress code simply ignores the biological, physical and emotional impact a period can have on a person, and calls to change it reflect the success of campaigns that aim to destigmatise periods.
The incredible actor continued: “We are often made to feel that we are lucky to have access to certain spaces. That we have achieved things because of positive discrimination, a tickbox exercise. It is to shrink us; to stop us asking for more and demanding better. It certainly kept me insecure. “We as women know how hard it is – we have to fight and work for everything we have, whether that is equal pay, equal work or body autonomy. As I speak to you in real time, I am sick of that. I don’t want it anymore. I reject that. Me accepting this award is me rejecting that. Me acknowledging that I have worked so hard. I have sacrificed so much, as we all have to be in this room. I am not going to let society take this achievement from me. I encourage every woman out there to do the same. Have pride in evetthing that you do and eveything that you are… because you are so deserving.”
Some other serious sartorial highlights came via Samira Wiley in Alberta Ferretti, Cynthia Erivo in Louis Vuitton and Laura Jackson in Chanel, but scroll down for the full round-up of the red carpet looks from the GLAMOUR Women of the Year Awards 2022… At the 21st GLAMOUR Women of the Year Awards 2022, in partnership with Samsung, we’re honouring those women who aren’t afraid to challenge the status quo and reshape the world. From activism to acting, our winners are working across a variety of industries to make the world a better, more equal place. And after a whirlwind year, it was Charithra Chandran who stole the show at the GLAMOUR Women of the Year 2022 awards with her epic, empowering acceptance speech as she claimed her Samsung Rising Star award. The Bridgerton star, 25, who played Edwina Sharma in the second series of the Netflix period drama, told the room: “To be in a room of such a beautifully diverse group of people is incredibly soul nourishing and almost certainly pisses off our current home secretary, health secretary and the whole government. It really sort of begs the question ”what am I doing here? Your guess is as good as mine. To be honest, for a moment of real honesty, when GLAMOUR wanted to honour me with this award, my first feeling was of embarrassment actually because I felt undeserving. I felt like an imposter. I spoke to my girlfriends about this and within a few minutes, I realised that that feeling of being unworthy of one’s accomplishments is tragically a universal experience for women.”
Product detail:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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