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The sunglasses can make anyone—be it Lil Uzi Vert or Lisa Rinna—look like they’ve landed from the year 3022. Ye himself appears to have mixed feelings about the term futuristic, though. “Saying something is in the future takes out the accountability of it needing to exist in our reality, and the fact that it’s 2022 and we don’t have the future we thought we were going to have,” he says. “Certain things are more futuristic, and a lot of things are less futuristic than we thought we would have. Obviously, I’ve been defined as a futurist. I’ll put it like this, it’s going to rhyme, it’s going to be poetry: Since we’ve been defined as futurists, we will define what the future is.”
Ye says that the conversations he, Swanepoel, and Knight had on set were centered around leaving a better world for future generations: “People are so quick to think it’s going to be so dystopian, but I feel it’s going to be James Turrell spaces and Nick Knight photos and foods from localized farms with no pesticides.” While these images are—at their core—showcasing sunglasses, the collaborators involved spoke to me of a bigger vision. Another photo shows Swanepoel with a hefty backpack standing under what looks like a solar eclipse. Collectively, they resemble an ad for a science fiction movie. But this film has a twist. “Having spent some of my life with the man, I believe that is his fundamental thing: He wants to make the world a better place,” Knight says of Ye. “He said to me the other day, it should be like a dystopian movie, but with a happy ending. Why do those movies always have a sad ending? Why can’t there be one where it works out and it’s a better place?”
Stephen Jones remembers the first time he saw the Queen with absolute clarity: as a young boy growing up in rural Cheshire, he was enamored by the outfits she would wear while touring the Commonwealth, beamed into his television at home from all four corners of the world. “She was acutely aware of the power of fashion, and I think she was very respectful of the craft of fashion too,” Jones recalls. “She knew that her appearance was a metaphor which could be used in many different ways.” Over the following decades, as Jones became one of the most celebrated and respected British milliners in history, the Queen would become a recurring figure within his work—whether the silkscreened prints he made as part of his art foundation course in 1975, featuring images of the Queen set against a richly colored sky, or the tweed crowns he crafted for Vivienne Westwood, memorably captured by Nick Knight for a cover of i-D magazine in 1987 worn by Westwood herself. “Vivienne adored the Queen’s tweeds as a little girl, so it was completely a tribute,” Jones remembers.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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